Monday, November 22, 2010

Can Fictive Sex Ever Have Merit?


That's the question nakedly posed by the Independent.

From the article...

John Freeman, the editor of Granta magazine who oversaw a special edition dedicated to sex earlier this year, says that although contemporary fiction abounds with eloquent discussions "around" and "about" sex, there is a level of apprehension among some writers who find themselves searching for a fitting vocabulary to describe its actual mechanics.

"The feeling that sex isn't fully represented in literature proves to be a false one if you expand just beyond the actual act, to all the things that sex encompasses. But once you get down to writing the act, it's very hard to do it without sounding like bad erotica or embarrassing self-disclosure. I remember Adam Foulds saying at our event: 'You can almost see many male writers' brain chemistry change as they write certain scenes and their ability to judge what is good writing get away from them'."

Mitzi Szereto, an author and teacher of erotic writing workshops, says writers on her courses are held back when they seek refuge in their own sexual histories: "You wouldn't rely on personal experience for any other kind of fiction writing so why would you when crafting a sex scene? I encourage people to write beyond their own sexual encounters, and when they do, they are less inhibited and more creative."

Szereto thinks the best kind of sex writing needs to explore the "psychology of desire". In an age in which sex has been divested of most of its mystery (hard-core pornography is a website away and Mills & Boon has invested in a "raunchy" series), it may be that the "psychology of desire" is the only unknown territory to explore.

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